O papel de Valak em Annabelle Creation

who is the spirit in the doll, I guess it's not Valak?

Essa era uma presença demoníaca que queria uma alma que pudesse inibir. Primeiro, tentou tomar a alma da senhora Mullins, mas não conseguiu e depois tentou para Janice.

Da história contada pela Sra. Mullins,

It started small, the contact. But it was her... our busy Bee. We knew it was her. She wanted permission to move into the doll... ...so she could be with us forever. We said "yes," and that's when it became stronger. Soon, we could actually see her. Only in fleeting glimpses, but it was enough. Our beloved Bee... ...our darling. Annabelle? Even though I couldn't hold her... ...it was comforting just to have the buzz of activity again. But we soon realized it wasn't our Annabelle at all. Esther? Esther? It was a demonic presence, and it was using our Annabelle... ...to manipulate us into giving it a soul it could inhabit. It tried to take mine... ...but Samuel reached out to the Church. They saved my soul... ...but the evil was still attached to that doll. So we locked it away... ...where it could be surrounded by the word of God.

_{Fonte de script}

Esse boneco tem sido um canal usado pelos demônios para alcançar os objetivos desejados. Então, o que quer que seja, a presença demoníaca presente nessa boneca é depois de uma alma que ela pode inibir. Então, não é Valak.

the evil spirit in the doll Annabelle got interested in terms of finding human hosts, Valak helped it in doing that but why?

Ambos são demônios, então talvez seja por isso que Valak ajudou o demônio ;-). No entanto, isso é pura especulação. No entanto, esperava-se que o propósito de Valak fosse explicado em The Nun , mas isso não aconteceu.

No entanto, por enquanto, a presença de Valak em Annabelle: Creation estabelece a premissa para o filme The Nun .

De Artigo de contestação de tela com ênfase em ,

The post-credits scene ties things up by giving us a proper, direct tease of The Nun. A single, static shot, it shows a candle-lit hallway at the Abbey of St Carta in 1952. The lights down the corridor slowly begin to be mysteriously blown out before the ghostly visage of the Nun’s face appears from the shadows.

We already knew the film was going to be set in Romania, but this gives us the specific location and date. Carta Monastery is a real-life church, again allowing the series to play with a faux real horror angle, although it’s the year that’s most interested; Creation is set in 1957, only five years after The Nun. Given the pre-existing connection through Sister Charlotte, some active link is to be expected.

No entanto, nenhuma das irmãs mencionadas em Annabelle: Creation aparecem em The Nun.

A garota que morreu no acidente de carro, seu espírito está lá na boneca.