Qual armadura Stark é mostrada nesta cena?

Eu diria que é a armadura Mark 85 que faz mais sentido, pois foi a que ele morreu. Comparando o tiro de corpo inteiro e a armadura, há semelhanças com os ombros elevados e o reator de arco. No entanto, com uma imagem de baixa qualidade e quão degradada é, não é fácil resolver.

_{Clique nas imagens para ampliar.}

Vale a pena notar que Mysterio está tentando evocar o lado emocional de Peter aqui e faria sentido usar a armadura em que Tony morreu para ter o maior impacto. Isso é apoiado por uma entrevista com o diretor Jon Watts.

(laughs) Awesome. Talk to me about the hologram sequence, the really trippy scene with zombie Iron Man. That’s a visual on a whole different level for these Spider-Man movies. What was that experience like, and how were you able to get your vision across to the visual effects team and everybody involved to make that come to life?

That sequence is one of the reasons why you pick Mysterio as your villain, so you can do a sequence like that. Creatively, it’s kind of daunting because you can do anything. Really, anything is possible. So what you have to do is, first of all, come up with an emotional entry point for what Mysterio’s trying to do, what he’s trying to accomplish, and how Peter feels about that. You start with that as a through line, and you let the visuals come out of that emotional storytelling. So that’s how we developed that, and it was fun. It’s a lot of concept art and you build small sets with different elements and combine that with motion capture and CG and it becomes one of those sequences where every part of the team gets involved.

_{/Film, ‘Spider-Man: Far From Home’ Spoilers: Director Jon Watts on the Post-Credits Scene, the Song He Wrote for the Film, and More [Interview]}

Alexis Wajsbrot, supervisor de efeitos visuais do Framestore, entra em detalhes um pouco mais sobre como eles projetaram a cena, mas na verdade não indicam qual é a sua adequação.

Designing Iron Man was quite a challenge, just like any suit for Iron Man. It had to be not too gory, but gory enough, the right balance between, do you see a bit of flesh, or only see the skull, or armor? Our art department jumped in here and did a lot of concept work.

One of the evolutions of the work was that we designed the graveyard early, and the school hallway early, but then when we re-visited them, we stylized the final shots a lot. What defines a school hallway? Maybe just the lockers are enough? The ground was green smoke, no wall or ceiling. Same for the graveyard – we removed all the grass, replaced it with black, removed the trees, the sky, and just kept the gravestone.

_{Screen Rant, Spider-Man: Far From Home's Zombie [SPOILER] Officially Revealed}

Também vale a pena notar, como o artigo da Screen Rant, que a imagem com a qual eles terminaram é um ovo de Páscoa na capa do Marvel Zombies 2 #1, portanto, o processo em particular pode não ter sido muito relevante.