No universo, a capa desmente sua educação humilde (de classe média). O Rogue One: Guia Visual Ultimate destaca que ele é ...
not of the principled Coruscanti classes, able to verbally parry and weave in debates
e ainda assim sua capa é descrita como
Tudo o que sugere um homem que está se esforçando muito em suas escolhas de roupas para se retratar como sendo de uma classe mais alta do que ele realmente é. É claro que Tarkin e Vader veem isso imediatamente e o tratam como um subordinado útil e não como um potencial igual.Aristocratic tailored cape.
O backup é feito pelo livro de fábulas Star Wars Made Easy .
WHY DOES HE WEAR THAT COOL CAPE?
Unlike most of the high-ranking officers in the Empire, Krennic isn't a posh guy from a privileged background. He probably feels like the cape gives him a touch of class. And given that Darth Vader wears one all the time, no one's really going to argue with that, are they?
Star Wars Made Easy: A Beginner's Guide to a Galaxy Far, Far Away
Fora do universo, a escolha do design foi escolhida para distinguir Krennic de Vader , mas homenagear a cinematografia original
StarWars.com: I asked Gareth about connecting Rogue One visually to A New Hope, and he mentioned how in the opening scene he used an inversion — in A New Hope you have Darth Vader flanked by white stormtroopers, and here you have Krennic in white flanked by black death troopers. Was there more of that throughout the design process?
Doug Chiang: Yeah. I love those inverses, because Gareth always described Rogue One, the storyline, as the inverse of Episode IV. Whereas in Episode IV, you had a farm boy who dreamt of being a warrior, for Rogue One, it was the warrior who dreamt to go back to the home life. So you already have, story-wise, a reversal, and even character arc-wise, a reversal. So it was an idea to play with that visually, and it’s a fun thing because it’s a motif that’s in there. In my mind, when you layer those in there, it adds more depth to the movie.
“WE SET THE BAR SO HIGH”: DOUG CHIANG ON DESIGNING ROGUE ONE
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How did Gareth [Edwards] make sure this movie synced visually with Episode IV, which was made 40 years ago? Making inversions was a big tool. “[Episode IV] started with a guy in black surrounded by guys in white. We do the opposite.”