Like most trilogies, it is very easy to notice a similarity in the screen-writing pattern in all the 3 movies. We are already familiar with the names of his characters sounding similar to the ones in the play (Gertrude becomes Ghazala, Iago becomes Ishwar ‘Langda’ Tyagi). The supernatural elements get conveniently replaced with their contemporary avatars (King Hamlet’s “ghost” becomes a man carrying Ghost IDs – aptly named Roohdaar).