Como é decidido quais partes de um filme precisam de música de fundo?

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Acho que a integração da música em um filme desempenha um dos principais papéis na produção de um ótimo filme. Eu também vi alguns filmes como o premiado " A Separation " que não tinha nenhuma música de fundo! Então, minha pergunta é como decidir quais partes de um filme precisam de integração de música de fundo? Existe alguma regra para isso? Ou depende apenas de como o diretor (ou compositor musical) se sente sobre o filme?

    
por Meysam 09.03.2012 / 11:22

1 resposta

Como não existem regras rígidas e rápidas para o uso da música no cinema, essa questão corre o risco de tornar-se conversacional, em vez de fornecer uma resposta sucinta.

Dito isso, estou no meio da finalização da partitura do meu mais recente curta-metragem de animação - então compartilharei meu raciocínio para a inclusão da música de fundo na esperança de que ela responda à sua pergunta.

While working with my composer, I had several motives in mind for the musical cues he delivered.

Firstly, music (and sound design in general) are a vital part of the overall film language (with some exceptions - see The Artist, et al ;)), and I needed musical cues that highlighted the emotional impact of certain scenes. There are moments of high tension, comedy and sadness in the film, and my composer has enhanced these moments dramatically by reinforcing the rhythm of the edits and also providing a 'pointer' for the audience as to how they should be feeling at any given time. Music is a very powerful tool for controlling your audience's feelings.

Secondly, I instructed him to create a series of leitmotifs for the characters in the film. This is a technique used most famously by John Williams in the Star Wars saga, whereby each character has their own theme which reoccurs throughout the films, albeit in different styles, reflecting the characters' current state of mind/situation/interaction with others. Look at Vader's theme. Heavy brass through the original trilogy, and then played on a harp as he dies - beautiful and deeply moving. For my film, I have a main character who is the antagonist (villain) of the piece, and is at odds with the other characters. For this reason, I had his theme not only jar against the rest of the soundtrack, but it becomes strained and unravels as he becomes more dangerous during the film's progression.

I also asked my composer to create a theme for the landscape (there is mountain climbing involved), and we used this opportunity to include ethnic instruments that reinforce the geography and the nationality of the protagonists. So we ended up with an epic score that sounds like Max Steiner's King Kong soundtrack with elements of Tibetan woodwinds and thumb cymbals woven in!

This is just the tip of the iceberg when it comes to music decisions, but I hope it gives you a good starting point in answer to your question.

    
09.03.2012 / 14:27

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