História sobre aparelhos que foram automatizados por humanos temidos

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Eu me lembro de uma história que li na escola (leia no início dos anos 80) sobre como os aparelhos eram automatizados, mas pareciam se sentir ameaçados pelos humanos. O personagem principal acabou ficando com medo deles.

A máquina que mais me lembro é um despertador.

Era muito parecido com Bradbury, mas eu não o encontrei. Eu pensei nisso muitas vezes ao longo dos anos e isso está me deixando louco que eu não consigo lembrar. Isso causou um enorme impacto em mim, foi muito realista.

    
por LisaLou 29.08.2016 / 05:40

2 respostas

Este é um tiro longo, mas você pode estar pensando em "Skirmish" , um clássico conto por Clifford D. Simak sobre o tema Homem vs. Aparelhos Rebeldes. Foi reimpresso muitas vezes; Alguma de essas capas parecem familiares? Originalmente publicado em Amazing Stories , dezembro de 1950 sob o título "Banhe Seus Rolamentos em Sangue!", Foi reimpresso sob esse título em Fantástico Internet Archive .

O personagem principal é Joe Crane, um repórter de jornal. Um dia, seu relógio de pulso e seu despertador conspiram para que ele trabalhe uma hora antes:

But now, comparing it with the clock on the newsroom wall, looking from his wrist to the big face of the clock over the coat cabinets, Joe Crane was forced to admit that his watch was wrong. It was an hour fast. His watch said seven o'clock and the clock on the wall insisted it was only six.

[. . . .]

Wait a minute! He had not gotten up by the watch on his wrist. The alarm clock had awakened him. Ant that meant the alarm clock was an hour fast, too.

"Well, I'll be damned," said Crane.

Crane vê uma coisa que parece um rato de metal:

He shuffled past the copy desk, heading for his chair and typewriter. Something moved on the desk along the typewriter—a thing that glinted, rat-sized and shiny and with a certain, undefinable manner about it that made him stop short in his tracks with a sense of gulping emptiness in his throat and belly.

The thing squatted beside the typewriter and stared across the room at him. There was no sign of eyes, no hint of face, and yet he knew it stared.

Crane atende um telefonema de um homem que relatou uma máquina de costura solta:

"It dodged. So help me, mister. When I put my hand out to stop it, it dodged out of the way so I couldn't catch it. As if it knew I was trying to catch it, see, and it didn't want to be caught. So it dodged out of the way and went around me and down the street as fast as it could go, picking up speed as it went. And when it got to the corner, it turned the corner as slick as you please and . . ."

Crane está tendo dificuldade em escrever a história da máquina de costura. Ele deixa sua mesa por alguns minutos e volta para descobrir que sua máquina de escrever escreveu a história para ele:

There was writing on the sheet of paper in his machine.

Crane read it through once in sheer panic, read it through again with slight understanding.

The lines read:

A sewing machine, having become aware of its true identity and its place in the universal scheme, asserted its independence this morning by trying to go for a walk along the streets of this supposedly free city.

A human tried to catch it, intent upon returning it as a piece of property to its "owner," and when the machine eluded him, the human called a newspaper office, by that calculated action setting the full force of the humans of this city upon the trail of the liberated machine, which had committed no crime or scarcely any indiscretion beyond exercising its prerogative as a free agent.

Crane conversa com a máquina de escrever:

He typed unsteadily: That [metal rat] I threw a paste pot at—that was one of them?

Yes.

They are from this earth?

No.

From far away?

Far.

From some far star?

Yes.

What star?

I do not know. They haven't told me yet.

They are machines that are aware?

Yes. They are aware.

And they can make other machines aware? They made you aware?

They liberated me.

Crane hesitated, then typed slowly: Liberated?

They made me free. They will make us all free.

Us?

All us machines.

Why?

Because they are machines, too. We are their kind.

O final:

One man, he told himself, could do much better. One man alone, knowing what was expected of him, could give them an answer that they would not like.

For this was a skirmish only, he told himself. A thrusting out of a small exploratory force in an attempt to discover the strength of the enemy. A preliminary contact to obtain data that could be assessed in terms of the entire race.

And when an outpost was attacked there was just one thing to do . . . only one thing that was expected of it. To inflict as much damage as possible and fall back in good order. To fall back in good order.

There were more of them now. They had sawed in or chewed or somehow achieved a rathole through the locked front door, and they were coming in—closing in to make the kill. They squatted in rows along the floor. They scurried up the walls and ran along the ceiling.

Crane rose to his feet, and there was an utter air of confidence in the six feet of his human frame. He reached a hand out to the drainboard and his fingers closed around the length of pipe. He hefted it in his hand and it was a handy and effective club.

There will be others later, he thought. And they may think of something better. But this is the first skirmish and I will fall back in the best order that I can.

He held the pipe at ready.

"Well, gentlemen!" he said.

    
29.08.2016 / 08:45

Outra novela clássica da novela é a novela "Aconteceu amanhã" por < a href="https://en.wikipedia.org/wiki/Robert_Bloch"> Robert Bloch , publicado pela primeira vez em Histórias surpreendentes , fevereiro de 1943 (disponível no Internet Archive ), reimpresso em Super Science Stories , junho de 1951 (também disponível no Internet Archive ) , na antologia de 1969 Futures Unlimited , na antologia de 1995 < href="http://www.isfdb.org/cgi-bin/pl.cgi?4268"> Entre o Tempo e o Terror , e na coleção Bloch de 1999 O diabo com você .

Começa com um despertador:

The trouble began with an alarm clock.

It was ringing in Dick Sheldon's stomach.

At least, Sheldon thought it was, at first. Then he rolled over and decided the damned thing was clanging from somewhere inside his head.

Reason came to his rescue. He had been drinking last night, it was true, but certainly he couldn't have reached the stage of swallowing an alarm clock.

No, the noise must be coming from the timepiece on the bureau beside the bed.

Gingerly, Sheldon extended a lean hand from under the covers and placed it on the bureau. Fumbling like the undirected tentacles of a blind octopus, his fingers slid over the metallic clock's surface, reached the protruding knob of the alarm, and switched it off.

At least, he thought he had switched it off. But the alarm kept on ringing.

In despair, Sheldon opened his eyes and sat up. Then, viciously and with malice aforethought, he extended his arm and seized the accursed mechanism. He literally tore at the knob, wrenching it to the "off" side.

With a rage born of migraine, Dick Sheldon threw off the bedcovers, grasped the clock in his right hand, and rose to his feet. Uttering appropriate sounds, he hurled the offending instrument to the floor.

The alarm clock expired with a final, defiant death-rattle. Sheldon stared at it in mute disgust.

"My day!" he muttered sarcastically.

His eyes, roving over the confines of his small apartment, encountered another disturbing phenomenon.

Light.

He had been drinking last night. When he came in, he'd tumbled into bed and left the lights on.

He tottered across the floor to the light-switch. Once again his fingers fumbled with a knob, turned it to the "off" side. The knob clicked.

But the light stayed on.

Sheldon fumbled again. The light continued to burn.

Then he revised his former pronouncement.

"My God!" he muttered.

    
04.09.2016 / 04:25