Identificar um romance de ficção científica sobre a exploração de um planeta vibrante, e toda a vida sendo interconectada

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Eu gostaria de ajuda para identificar um livro que eu li uma vez. Os humanos estão tentando pesquisar um planeta alienígena (lua?). O planeta nunca teve uma extinção em massa, então a vida evoluiu para ser incrivelmente complexa. A vida microbiana era tão virulenta que até consome filtros e selos de colônia. Uma mulher foi criada para ter o melhor sistema imunológico possível para ajudar na exploração. Ela também recebe o melhor terno e tecnologia antimicrobiana.

Eventualmente, a estação de pesquisa é ultrapassada pelos organismos microscópicos e ela é deixada sozinha. Quando seu processo falha, ela é infectada e o universo fala com ela. Acontece que toda a vida surgiu da mesma fonte e supõe-se que esteja toda interconectada. Parece que as sementes da vida que caíram no nosso sistema solar foram danificadas e desconectadas da consciência maior.

É um romance independente. O nome me faz pensar em Eios ou Ilos, mas qualquer combinação disso não me traz nenhum resultado.

Alguém tem alguma ideia?

    
por DemonicOfAngels 11.02.2017 / 21:11

1 resposta

Soa como Bios por Robert Charles Wilson (não li eu mesmo, apenas passando pelos comentários), que também foi uma das respostas propostas (nenhuma foi aceita) para esta pergunta . Talvez uma dessas essas capas seja digna de nota. Existe uma pré-visualização limitada no Google Books .

De um comentário feito por " Nick Gifford " ( Keith Brooke ) em Infinity Plus :

In a future where instantaneous interstellar travel is possible, but hugely expensive and tightly controlled by the ruling families of Earth, the planet Isis is singled out for special investigation, hosting an orbital scientific station and a number of research posts on its surface.

The reason for the planet's importance is the diversity of life it supports: no native intelligence, but a wild array of life-forms with tremendous medical and biological potential: a planetary pharmacopoeia, much of the exploration and research funded by medical trusts on Earth. It's also a good testing ground for novel technologies.

Perhaps 'diversity' is not the best word to describe the life of Isis: ferocity might be more apt, a biochemical ferocity evolved through billions of years where there have been no mass extinctions to wipe the evolutionary slate clean, allowing an ever-more sophisticated biological arms race to take place.

For the humans investigating Isis, a lungful of air, the briefest of touches, an encounter with a single example from the vast array of native micro-organisms, would be fatal, inducing within a matter of hours intense haemorrhagic illness and a painful and gruesome death. With scientists' dark humour, the researchers call two of their outposts on the planetary surface, Yambuku and Marburg, after the first two strains of haemorrhagic fever that went on to devastate 21st Century Earth.

Zoe Fisher, cloned by one of the Trusts, abandoned in an Iranian orphanage only to be rescued again, is more adapted than any human to survive in the wilds of Isis. Where others need bulky bioarmoured suits for any excursion, Zoe can leave the secure dome in only a membranous body-suit - both suit and genetically-modified Zoe are among the novel technologies being tested on Isis.

Bios presents an enthralling tale of planetary investigation, scientific endeavour at the mercy of both the political machinations of the power-plays back in the Solar System, as Family-led Trusts vie for power, and individual whim. For, right at the start, we witness a surgeon making a final rebellious gesture against the establishment before she retires: during a routine surgical tweak to Zoe's configuration, she removes a vital augmentation, a gland that controls extremes of mood and emotion. The effects will be slow to kick in, but they will mean that Zoe will learn to fear and care and, even, to love, when she arrives on Isis.

The disappointment in Bios comes in the closing stages, as an increasingly gripping plot converges inevitably on disaster. There's nothing wrong with well-handled tragedy, but too often the tragic ending can be the easy option, a solution where there is no solution, no gathering together of threads.

And no: in describing the ending of Bios as tragic, a true disaster story, I don't think it gives away too much of the ending, as there is also an element of hope and triumph in the conclusion, albeit one that appears more as an afterthought.

    
11.02.2017 / 22:21