SIM, a maioria das partes de Days of Future Past torna uma sequela canônica para The Last Stand. Muitos dos primeiros filmes de X-Men '(liberado) EVENTOS (como os eventos no The Last Stand) são apagados ou alterados por eventos em Days of Future Past, mas não necessariamente irrelevante ou completamente alterado.
“The end of Days of Future Past in 1973 does change the timeline of
the established film universe. But one of the things we posit in the
film is the immutability of time. So what you see at the end is a
future that has been shifted but not completely transformed. Our
characters are back in the mansion, as we saw them in X1-3, with some
obvious changes (like certain characters being alive). So the answer
is yes and no. Yes it changes the timeline. No it doesn’t completely
erase everything…”
http://collider.com/x-men-days-of-future-past-ending-explained/
"I don’t know if you were born or were alive in 1973, but I was, and
as far as I know, a stadium did not drop on the White House," Kinberg
said, laughing. "All human history has changed after Days of Future
Past, not just whether Jean or Scott lived or died. What that gives
us, which is great fun, is we can also mess around with human history.
We aren’t beholden to everything that happens in future X-Men movies
being secret, because if you were to hold to the original X-Men
movies, at the beginning of X-1, it’s really the first conversations
about mutants in the world. But if in 1973 a stadium fell on the White
House or in the 1980’s there was an apocalyptic event, conversations
would have started much earlier."
https://www.cinemablend.com/new/Days-Future-Past-Changed-Way-More-About-X-Men-World-Than-We-Thought-67606.html
O seguinte é o ordem dos filmes em relação ao histórico de eventos. Incluí a que cronograma os filmes pertencem também, usando "A" e "B" em geral. Alguns filmes são mencionados duas vezes, porque apresentam vários períodos de tempo, nos quais alguns períodos são verdadeiros ou inalterados nas duas linhas do tempo. (No entanto, existem alguns erros de inconsistência ou continuidade, não importa como você o divide)
X-Men Apocalypse (passado egípcio antigo mesmo para ambas as linhas do tempo)
X-Men: Primeira Classe (o mesmo para as duas linhas do tempo)
X-Men Origins: Wolverine (Flashbacks - Linha do tempo A)
X-Men (Linha do tempo A)
X-Men Origins: Wolverine (Wolverine sai para encontrar respostas - Linha do Tempo A)
X2: X-Men United (linha do tempo A)
X-Men: A Última Parada (Linha do Tempo A)
O Wolverine (Linha do tempo A)
X-Men: Dias de um Futuro Passado - A linha do tempo é dividida e alterada através do Wolverine que viaja com consciência no tempo. Vemos um novo passado sendo criado E um novo futuro sendo criado até o final do filme, mas as partes Wolverine pré-consciência-viajando no tempo do passado no filme também seriam as mesmas nas duas linhas do tempo.
X-Men: Apocalipse (1983 - Linha do Tempo B)
X-Men: Dark Phoenix (próximo recurso - Linha do tempo B, mas pode brincar com o espaço-tempo)
Nota: Uma provável razão pela qual a linha do tempo A foi apagada após Days of Future Past, era trazer um elenco mais jovem com cenário retrô para atrair um público demográfico mais jovem para a franquia. Era uma maneira de revitalizá-lo.
Time travel - Many of the X-Men's stories delve into time travel
either in the sense of the team traveling through time on a mission,
villains traveling through time to alter history, or certain
characters traveling from the past or future in order to join the
present team. Story arcs and spin-offs that are notable for using this
plot device include Days of Future Past, Messiah Complex, All-New
X-Men, Messiah War, and Battle of the Atom. Characters who are related
to time travel include: Apocalypse, Bishop, Cable, Old Man Logan,
Prestige, Hope Summers, Tempus, and Stryfe...
Reflecting social issues
The conflict between mutants and normal humans is often compared to
real-world conflicts experienced by minority groups in America such as
African Americans, Jews, various religious (or "non-religious") groups
such as Muslims and Atheists, Communists, the LGBT community, the
transgender community, etc.[39][40] It has been remarked that
attitudes towards mutants do not make sense in the context of the
Marvel Universe, since non-mutants with similar powers are rarely
regarded with fear; X-Men editor Ann Nocenti remarked that "I think
that's literary, really - because there is no difference between
Colossus and the Torch. If a guy comes into my office in flames, or a
guy comes into my office and turns to steel, I'm going to have the
same reaction. It doesn't really matter that I know their origins.
[...] as a book, The X-Men has always represented something different
- their powers arrive at puberty, making them analogous to the changes you go through at adolescence - whether they're special, or out of
control, or setting you apart - the misfit identity theme."[41] Also
on an individual level, a number of X-Men serve a metaphorical
function as their powers illustrate points about the nature of the
outsider. https://en.wikipedia.org/wiki/X-Men
No entanto, de uma perspectiva contínua da história, pode-se argumentar que foi uma boa jogada ser fiel a X-Men nos quadrinhos, porque X-Men nos quadrinhos (e apenas sendo parte do MCU da Marvel), fornece vários universos ou cronogramas já como uma maneira de examinar quem alguém poderia ser e claramente combina com os temas de diversidade de identidade e justiça social dos X-Men. Até o final de The Last Stand, muitos fãs de quadrinhos ficaram loucos porque claramente Jean Grey era possuído por outra entidade, a Dark Phoenix, mas os filmes não a exploraram, deixando claro que os X-Men não sabiam o que era, resultando na morte prematura de muitos personagens. Então, usando Wolverine em particular, alguém que veio e perturbou o equilíbrio da vida de Jean e no qual ele não poderia salvá-la ou Scott, abriu o caminho para uma história de redenção que pode finalmente ser realizado no próximo filme principal dos X-Men, já que o filme está revivendo essa entidade. Wolverine talvez esteja agindo como um corretor de curso para a linha do tempo, enquanto aguarda a aparência dos futuros filmes dos X-Men, que podem estar no fritz agora que a Disney está no processo de compra da 21st Century Fox.
Sobre Logan
Eu li declarações conflitantes sobre "quando" (em que linha do tempo) isso está definido. Alguns acreditam que é o novo 2029 futuro futuro que Logan retornou no final de Days of Future Past e outros acreditam que ainda está no futuro de outra linha do tempo. Em qualquer um dos casos, é claro que esse "futuro" colega do Wolverine experimentou muitas das mesmas coisas dos dois cronogramas anteriores do Wolverine e que os elementos do gênero ocidental apresentados através de um cenário de realismo acidentado fornecem uma visão realista do conceito de mito e legado olhando para os eventos dos outros filmes.
Outros X-Men Filmes / Séries de TV - Onde eles pertencem?
Landgraf stated, in January 2016, that the series would be set in a
universe parallel to the X-Men films where "the US government is in
the early days of being aware that something called mutants exist but
the public is not".
The producers hoped that audiences would watch the show because of its
character-focus and the talents of Hawley and the cast, rather than to
"see a Marvel franchise show."[57]Donner also noted that having Hawley
focus on Haller's perspective of reality rather than connections to
the X-Men films allowed the series to avoid the convoluted continuity
of the films, "because we play with so many different timelines, and
we rebooted and not really rebooted and all that" throughout the
films. Therefore, "the cinematic universe will not worry about Legion.
They will not worry about these TV worlds at all.
https://en.wikipedia.org/wiki/Legion_(TV_series)
“It’s not in the continuity of those films in the sense that the current X-Men films take place in a universe where everybody on planet earth is aware of the existence of mutants. Legion takes place in a parallel universe if you will where the government is aware mutants exist but the public is not. I wouldn’t see characters moving back and forth because they really are parallel universes.”http://www.slashfilm.com/x-men-tv-series-legion/
"What's nice is Deadpool exists in his own universe. He's part of the
larger X-Men universe, but in a way he isn't. He interacts with that
world but he is in the present. We don't deal with the '60s or the
'70s or the future. It's here and now. More than anything, I think
he's going to have his fun with what they do in the other franchise.
But fortunately, we don't have to play by those same rules. Deadpool
is a movie that did break all the
rules.http://comicbook.com/marvel/2017/01/26/deadpool-writers-explain-how-the-movie-fits-into-the-x-men-timel/
The Gifted is an American television series created for Fox by Matt
Nix, based on Marvel Comics' X-Men properties. It is connected to the
X-Men film series, set in an alternate timelinewhere the X-Men have
disappeared. The show is produced by 20th Century Fox Television in
association with Marvel Television, with Nix serving as showrunner.
https://en.wikipedia.org/wiki/The_Gifted_(TV_series)
Legião (nenhuma organização X-Men), Piscina morta (disjuntor da quarta parede, inclinações do X-Factor), A Gifted (X-Men desapareceu misteriosamente e apresenta muitos personagens secundários de X-Men), são ambientados em seus próprios universos paralelos, respectivamente.
Novos Mutantes (trilogia de terror planejada) - Diz-se que tem algum tipo de conexão aos principais filmes dos X-Men, mas também foi descrito como se pudesse existir em seu próprio correio da franquia geral.
X-23 Logan Sequel / spin-off (dependendo dos planos da Disney)